philodendron mia ‘Green Princess’ Philodendron 6" Pot / Self Watering / Without Pot
SKU: 5302980105
philodendron mia

philodendron mia ‘Green Princess’ Philodendron 6" Pot / Self Watering / Without Pot

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Description

philodendron mia ‘Green Princess’ Philodendron 6" Pot / Self Watering / Without PotKey Highlights Philodendron Green Princess The Philodendron Green Princess is known for its glossy, deep green leaves, which add a vibrant and tropical feel to any indoor space. Its compact, bushy growth makes it perfect for desks, shelves, or small corners. The thick, waxy leaves store moisture, allowing the plant to withstand short periods of drought. This makes it a low maintenance choice for those who may occasionally forget to water. It helps to

Key Highlights - Philodendron ‘Green Princess’ 

  1. The Philodendron Green Princess is known for its glossy, deep-green leaves, which add a vibrant and tropical feel to any indoor space. Its compact, bushy growth makes it perfect for desks, shelves, or small corners.
  2. The thick, waxy leaves store moisture, allowing the plant to withstand short periods of drought. This makes it a low-maintenance choice for those who may occasionally forget to water.
  3. It helps to remove toxins such as formaldehyde, thereby improving indoor air quality.
  4. Unlike many philodendrons that trail or climb, ‘Green Princess’ grows in a compact, upright shape, making it ideal for small spaces without the need for support or pruning.

The Philodendron ‘Green Princess’ is a stunning, and beloved evergreen-perennial known for its glossy, deep-green foliage and easy-care nature. This tropical plant is an excellent choice for both beginners and experienced plant enthusiasts due to its adaptability and resilience. Unlike vining philodendrons, ‘Green Princess’ has a more upright, bushy growth habit, making it ideal for indoor spaces where a structured, lush appearance is desired. 

Like most philodendrons, ‘Green Princess’ originates from the tropical rainforests of Central and South America. Due to its popularity as a houseplant, it is now widely cultivated in greenhouses and nurseries worldwide. 

One of the most striking features of the ‘Green Princess’ Philodendron is its lush, deep-green foliage.

The leaves are smooth, slightly elongated, and have a glossy finish, which enhances their vibrant appearance.

Unlike climbing philodendrons, this variety remains compact and bushy, making it perfect for tabletops, shelves, and small indoor spaces.

The plant is also known for being low-maintenance, tolerating lower light conditions, and requiring minimal care compared to other tropical houseplants.

When grown indoors, this ‘Green Princess’ plant typically grows up to 10 inches tall and spreads about 10 inches wide.

Its slow-growing nature makes it easy to manage, and with occasional pruning, it can maintain a tidy, bushy form. While it can grow larger under optimal conditions, it remains significantly smaller than climbing philodendron varieties. 

The flowers of Green Princess Philodendron bloom in spring and summer. The flowers have white petal-like structures called spathes, with a green center (spadix). While this plant is mainly grown for its leaves, these rare flowers can add a nice touch of color to your home. 

The Philodendron Green Princess is a compact and versatile plant, making it perfect for small spaces and a variety of indoor settings. This natural air purifier helps trap dust and improve air quality, while also requiring minimal care, making it ideal for beginners. With its mood-boosting greens, the Philodendron Green Princess adds vitality and a soothing presence to your home, creating a welcoming and refreshing atmosphere.  

When and How to Water Your Philodendron Green Princess 

Philodendron ‘Green Princess’ is a drought-tolerant plant that can withstand periods of dryness, making it an excellent choice for plant owners who may occasionally forget to water. The plant’s thick, glossy leaves help retain moisture, allowing it to survive short dry spells. To ensure proper hydration, always check the soil’s moisture level before watering—water only when the top 1-2 inches of soil feel dry.

In the spring and summer, during the active growing season, the ‘Green Princess’ Philodendron requires more frequent watering to support its lush foliage and steady growth. Typically, watering once every 7 to 10 days is sufficient, but this may vary based on climate and indoor conditions. If grown outdoors, more frequent watering may be necessary during extreme heat. To promote even growth, use lukewarm water and ensure proper drainage. 

In the fall and winter months, the plant enters a semi-dormant stage, requiring significantly less water. Reduce watering frequency to once every 2 to 3 weeks, allowing the soil to dry out more between waterings. Lower temperatures and reduced light exposure slow down growth, minimizing the plant’s water needs. However, ensure the air is not too dry by maintaining adequate humidity. 

Light Requirements – Where to Place Your Green Princess Philodendron 

When growing indoors as a houseplant, this philodendron thrives in bright, indirect light.

Place it near a north or east-facing window where it receives gentle morning sunlight without direct exposure to harsh afternoon rays.

If natural light is insufficient, supplement with a grow light for at least 10-12 hours daily to maintain healthy growth.

Avoid placing it in direct sunlight, as excessive light can scorch the leaves.

For outdoor cultivation, it should be placed in a shaded or partially shaded area, as direct sunlight can cause leaf burns.

Ideally, it should receive 3-5 hours of morning sunlight followed by dappled shade throughout the day. In warm climates, growing it under a tree canopy or a covered patio ensures it receives the right balance of light without stress from intense sun exposure. Whether indoors or outdoors, rotate the plant occasionally to ensure even light distribution and balanced growth. 

Optimal Soil and Fertilizer Needs

Philodendron ‘Green Princess’ thrives in a well-draining, nutrient-rich soil mix. Your soil must have a sandy texture and a low water-holding capacity, just like desert soil.  Soggy wet soil can damage your green princess Philodendron and contribute to bacterial and fungal rot. Ideally, you want to use our specialized potting mix, opens in a new tab that contains 5 natural substrates and organic mycorrhizae to promote the development of a strong root system that helps your Philodendron to thrive.   

For best results, fertilize the plant once a year in the spring using a balanced liquid NPK fertilizer with a ratio of 5-10-5. This promotes lush foliage and steady growth. Avoid over-fertilization, as excessive nutrients can lead to salt buildup and damage the roots.  

Hardiness Zones & More 

When growing indoors as a houseplant, Philodendron ‘Green Princess’ thrives in temperatures between 65-80°F with humidity levels above 50%. Keeping it in a humid environment, such as a bathroom or kitchen, is ideal. If the air is too dry, use a humidifier or pebble tray to maintain moisture levels. Additionally, ensure the plant receives adequate indirect light for at least 10-12 hours daily. 

In the United States, this is mostly an indoor plant, but if you live in southern Florida or Hawaii then you can cultivate it outdoors in USDA zones 9-11.

It can tolerate temperatures down to 50°F but should be protected from cold drafts and frost.

If grown in a container, bring it indoors when temperatures drop.

It thrives in moderate to high humidity and should be placed in a shaded area with 3-5 hours of morning sunlight. 

Wildlife - Philodendron Attracts the Following Friendly Pollinators 

Philodendron ‘Green Princess’ produces unique flowers that can attract pollinators such as beetles, flies, and other small insects. Although it is primarily grown for its foliage, its infrequent blooms add an extra dimension to its appeal.

According to the ASPCA, Philodendron ‘Green Princess’ is mildly toxic to humans and pets due to the presence of calcium oxalate crystals, which can cause irritation if ingested in a large amount. However, it is safe to touch and handle, making it a popular choice for indoor houseplants. 

How to Propagate Your Philodendron Green Princess

You can propagate your plant through stem cuttings. Choose a healthy stem with at least two nodes and cut it with sterile pruning shears. Allow the cutting to dry for a few hours before placing it in water or moist soil. If you propagate in water, change the water every 3-5 days to prevent bacterial growth. Roots should develop within 2-4 weeks, after which the cutting can be transferred to soil.

The Bottom Line 

Overall, the Philodendron ‘Green Princess’ is a beautiful, low-maintenance houseplant that brings a touch of tropical elegance to any indoor space. Its lush, glossy foliage, compact growth, and resilience make it a favorite among plant lovers. Whether placed on a shelf, desk, or in a decorative pot, this philodendron adds a refreshing green presence with minimal effort. With the right care—moderate watering, indirect light, and occasional pruning—it will remain a vibrant and attractive feature in any home or office. 

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Reviewed in the United States on March 25, 2026
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John P. Jones III
Charlottesville, US
★★★★★ 5
“The fragments of a life”…
A formidable movie, in the stricter sense of the word. In a looser sense, it has helped shape the way that I’ve seen the world, ‘lo these past six decades. I saw this movie when it first came out, in 1963, at one of my favorite art theaters in Pittsburgh. Like most of us at the time, we’d only viewed rather straightforward movies of “good and evil,” Westerners, and the like. Predictable endings. The director of “8 ½,” Federico Fellini, offered something radically different, a foreshadowing of the stream-of-consciousness technique in literature, how the fragments of one’s life get all jumbled up in the brain. And he provided some takeaways that have long been with me. I was 16 at the time and took a date who was 15. In re-watching it now, if I thought it somewhat baffling at 16, I wonder what my date thought about the portrayal of the women in the movie, who are “fragments” in the life of the movie director, Guido Anselmi, excellently played by Marcello Mastroianni. There is his wife, Luisa, wonderfully played by Anouk Aimée, who was the motive force behind the re-watching of it now. There is the “virginal” Claudia Cardinale, usually in white (I had not realized that she was originally Tunisian). Sandra Milo plays Guido’s flighty bimbo of a mistress. And so many others: The airline stewardess; the caring mom who wraps the infant Guido in a blanket; the first stripper; the insightful and nagging friend of his wife… “Upstairs when you are 40.” That was one of the big takeaways. Anselmi is having this male fantasy about his “harem,” all those fragmented women who are there to serve him and do so in complete harmony when he realizes that the “stripper” is now 40 and must go upstairs, the metaphor for being placed on the “discard pile” for being too old. He gets out his bull whip even, to drive her up the stairs. Even at 16, when 40 is more than twice your life away, it did seem a bit harsh, particularly when the same rule does not apply to the guy with the bull whip. It was also my first viewing of the prototype of those pompous pedantic critics of movies or literature who toss around expressions like “impoverished poetic imagination,” “overabundant symbols,” and, of course, “self-indulgent.” I was in parochial high school at the time, so the scenes in which the priests were chasing down the young student Guido in order to shame and humiliate him because he found sexual imagery to be of interest, imagine that, strongly resonated. It was also the era that the Catholic Church published “The Index of Forbidden Books,” (which now seems to have been taken over by the woke crowd of today), and thus the scene in which Anselmi has to pay homage to the Cardinal also resonated. Anouk Aimée is absolutely mesmerizing. She has been a “fragment” of my own life, ever since I viewed “A Man and a Woman” in the ’60’s. Again, she played opposite the equally formidable Jean-Louis Trintignant, of “Z,” “Three Colors, Red,” and so much else, fame. Far more relevantly, the two of them recently played in “The Best Years of Our Lives,” again directed by Claude Lelouch. Aimée is now a young 90. In her role as Anselmi’s wife, Luisa, she wore those glasses that connotated a greater thoughtfulness than him. I searched that ever-so-youthful face watching for the subtle expressions of later movies. It struck to the core. Luisa is utterly fed up with Guido’s philandering and constant lies. And Guido is suffering from “director’s block” in trying to finish his movie, with what sort of message? Luisa fires off THE classic line that I have long remembered: “But what can you say to strangers when you can’t tell the truth to the one closest to you…”. The only problem is that I’ve felt that line was said in Ingmar Bergman’s “Scenes from a Marriage.” And maybe that line was ALSO said in Bergman’s movie, which means one more movie I need to watch to find out. As I said earlier, things can tend to get jumbled up in the brain, even more so as one ages. Fellini would understand, maybe Aimée would also. 5-stars, plus for Fellini’s classic, formidable film.
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Reviewed in the United States on March 14, 2023
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Stephen McLeod
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One of the greatest in SPECTACULAR DVD package
This new Criterion Collection edition of *8 1/2* is one of the best DVD "special edition" sets I've come across. The Movie: Fellini's breakthrough film is a movie about itself. It is archetypal in the Fellini canon because it both settles old scores and announces a new cinema. The film's hero is an Italian filmaker (Mastroianni as "Guido" a quasi-alter ego for the director) who has just had his first major hit (=La Dolce Vita). He is not resting on his laurels, however. He is confronted with the necessity of the next movie. This necessity is both personal to the director and apparently contractual: the producer is forever hovering... To Guido, it is an inner necessity, an unrest, a creative suffocation, objectified in the opening sequence of the movie where Guido is seen/not seen by the camera, trapped inside a tiny car that is itself trapped in a traffic jam that stretches endlessly beyond available light as the car fills with toxic gas. We see the as yet unidentified hero in silhouette from behind. We see his hands and feet from outside the car, through the window as he desparately tries to escape. Then, he mysteriously escapes through the car's roof like a new bird escaping its shell and is carried off into the clouds, etc. The trouble is, this is a wish fulfillment dream. In "real" life, Guido is about to make a movie, and he has no idea what it's going to be about, or what to do with all the actors and extras, and the giant launching pad for some kind of space-ship that is the only thing even close to a concrete idea for the projected picture. The film is not, however, a perfect autobiographical fit. For one thing, Fellini gets to finish his movie and Guido, evidently, does not. But, that said, the movie is a virtual mirror of itself, which was a very hard thing to pull off in 1962, before the concept of "virtual" was annexed by the codifiers of computer jargon, and *8 1/2* is nothing if not a virtuoso performance. Fellini's breakthrough is the film we watch. But in the film, the hero finds the resolution to his anguish, not in finding the project - that is, in making what would have been the film-about-itself within the film-about-itself within the film-about-itself that we are, finally, watching - but in letting go of the project, in surrendering to the impossibility of finding it or making it. Precisely *on the other side of his own fantasy-suicide*, at the moment when he apparently gives in to despair, he discovers the circle of life and becomes able to join into the procession of lives into which his own life is finally intertwined. So, this is an essential film. And it is a film so rich in texture that a person could watch the movie a hundred times and find new things to wonder at, and discover new connections between the One and the Many - Fellini's personal/existential problem. The DVD: First disc contains a sparkling transfer of the movie that restores a luster to the angular lights and shadows in Fellini's final black & white movie. Audio commentary by a couple of scholars and Fellini's former close accomplice Gideon Bachman. Second disc contains Fellini's famous "Director's Notebook" of 1968(-9), an hour-long movie that was originally made for television, as well as another documentary about composer Nino Rota, and various interviews, including one with the ever-fiesty Lina Wertmueller who was Fellini's Asst. Director on *8 1/2*. The package also comes with a really interesting little booklet with lots of information and a thoughtful mini-essay. Overall a great package that I'll not regret buying.
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